Showing posts with label Danny Chan. Show all posts
Showing posts with label Danny Chan. Show all posts

Saturday, June 29, 2013

Playlist Tribute: Remembering the legendary stars of yesteryear today – Part 2, Wong Ka-Kui & Danny Chan

So welcome back and sorry for being on an unintentional hiatus! This post, I’m bringing you Part 2 of the Tribute Playlists series (trilogy?), with late singer-songwriters, Danny Chan and Wong Ka-Kui, of the band, Beyond. Just as Max and llwy12 have commented before, 1993 and 2003 were very sad and unfortunate years for the HK music industry. 1993 was the year that both Danny and Ka-Kui lost their lives – Danny never awoke from his coma and Ka-Kui was pronounced dead. These two men were particularly special in the world of Chinese music, since they were a rare breed of talented composers with one-of-a-kind voices.

Wong Ka-Kui was also more than a rockstar in the traditional sense. His compositions and lyrics often reflected on the political views of many citizens, as well as social issues. Now I haven’t included too many of those more politically charged anthems in this playlist and that’s because a) I didn’t want to bloat the playlist and b) I didn't feel like getting all political for a tribute. The only one that I've really put in is "The Glorious Years" and yes, it really was just a coincidence that it happened to be the song that served as a salutation to Nelson Mandela. I now don't know if I have really good timing, dumb luck or really bad timing. 

As for Danny, who was also an occasional TV host and actor, his compositions were as well known for as he was handsome and charming. I’m sure he created a generation of fangirls and inspired many boys to become singers, such as Anita Mui’s disciple, Edmond Leung.

With the passing of these two superstars (as well as Anita Mui and Leslie Cheung), I really can’t help but feel that the HK music industry or Cantopop has lost it’s gleam. I think about how artists like Danny would carry themselves – with grace, elegance, sophistication and an overall sincere kind of modesty, even when having achieved a great amount of praise. Now, I look at artists like Raymond Lam and find it hard to believe how someone could come of as so depraved and arrogant, yet releases try-hard songs that are inappropriate for a 30-year-old man. Facepalm.

But that’s not to say that the superstars died in vain. At least we got a chance to sample their music and enjoy their charming personalities when they were around. Superstars only come around once in a lifetime but sometimes we take them for granted. The least we could do now is to find a way for their legend to live on. So what I’m really trying to say is, please enjoy! :D

One of the few mainstream type of soft love songs from Beyond. But with bandleader Ka-Kui’s unique, gritty sounding rock vocals, this track really stands out. The lyrics, I admit, are kinda mushy BUT the melody line for the chorus is especially catchy. Ka-Kui’s voice really saves the song from being your average, run-of-the-mill love song.

A classic song that was considered a breakthrough for the band. According to this snippet from the RTHK 25th Anniversary Retrospective, prior to this song, people had the idea that Beyond were just a bunch of rebellious youth. But after the debut of this song, we had mothers sating that they were good kids. What a great song can do for your image. And it’s one of the few songs I know where each member gets a solo – a real treat. Here’s a song for you, Ma.

Composed by the late lead singer, Wong Ka-Kui, along with his penmanship, the result is great. Although his lyrics are not as fancy as seasoned songwriters such as Albert Leung, they stand well with Beyond’s overall style. The composition itself is definitely catchy, since Chinese people from the Mainland who don’t even speak Cantonese can sing this. And did I forget to mention it was actually a tribute to Nelson Mandela who fought against apartheid? You can hear it in the lyrics. Now, that really says something that is something glorious indeed. I've included a translated version from Youtuber Huey Ly, who has done an excellent job with the lyrics translation and subtitles. 

This track featured in last year’s drama <When Heaven Burns> because it was a kind of tribute to Beyond and Wong Ka-Kui. It’s one of those more rockier songs befitting of Beyond and you can here the American pop-rock influence in the guitar wails and in Ka-Kui’s voice. Strangely enough, it sounds somehow Oriental at the same time to me, and I’m not talking about the lyrics.
Another song that die-hard folks from Mainland China and elsewhere know by heart. Heck, I’m not even a die-hard fan and I know it. The beauty of the song lies in the almost a capella backdrop and the nervous sense of anticipation. Of course, the wait isn’t all for nothing. Ka-Kui brings it all out in the chorus and really gives it his all. And I must say, rock wail. Epic.

Danny was one of those super-talented artists that were gifted with a naturally great voice, musical skills as an instrumentalist, and composer. The only thing he was reliant on really, were lyrics to go with his pieces. Danny was a heartthrob for many during the 80’s and early 90’s. With this piece, “Only Love You”, you can really hear Danny’s soothing and pleasant sounding voice blend well with the music. It’s a very relaxing song to listen to and actually reminds me of a flowing stream. Oh, why do I love you?

A self-composed Danny track that is obviously very sad, just from the look of the title. The lyrics by Mr Cheng Kwok-Gwong go hand-in-hand with the broken-hearted emotion of Danny’s composition. This is one ultimate break-up song, speaking for the tortured soul crying their eyes out. I recall watching a program that highlighted these late artists and remember someone saying something like Danny was the type of artist to lock himself in his room and compose based on his mood. You can really hear the genuine sadness in this one.

Yes, I know. I know. Originally a Japanese track but with a catchy, mid-tempo beat, very suitable for Danny. As an accomplished organist, he could easily play this song. But he also had the help of his fellow schoolmate, Andrew Lam. In an old interview that featured the two, Danny revealed that Mr Lam’s mother was his Chinese teacher. So that’s where his lyrical ability comes from – all those words.

The theme song to TVB’s <Looking Back In Anger> starring Felix Wong and Carina Lau. I think this was originally a song composed by a Taiwanese composer but Danny liked the tune so much he had to use it after hearing it playing in a friend’s car, or something like that. Anyway, the tune is indeed very pleasant to the ears. And with Danny’s warm-sounding vocals, the music accommodates very well – this isn’t exactly your average song. It isn’t highly orchestrated, loud or even dramatic. But it is definitely one of the most memorable theme songs from TVB’s history.

Now I was really having a hard time picking just five tracks for Danny but I decided to go with this one. Why? Because I had temporarily forgotten about it until I recently rediscovered it again. That and it’s no secret that I have a penchant for Sally, just like Danny did. He actually singled her out as one of the Top 5 Women on his list from Hong Kong and Taiwan  during a radio talkshow, describing her as “sexy”. This time, he said it, not me, adding that it was a word that was rarely used to describe her. I concur, brother. This little gem was the theme song featured in the 80’s movie <Merry Christmas>, starring the late Leslie Cheung, Paula Tsui and a bunch of other people. I actually prefer this duet version because of the contrasting vocals. Sally’s voice is very diva-esque, powerful and full of lyrical sense, while Danny’s is soft, gentle and speaks straight to the heart.

Thursday, April 25, 2013

Playlist Tribute: Remembering the legendary stars of yesteryear today – Part 1, Leslie Cheung & Anita Mui


As you all probably know, it’s been 10 years since the HK entertainment industry lost one of its icons, Leslie Cheung. Of course, many of his fans gathered to commemorate him by folding over 190,000 paper cranes in honor of his memory, which really shows that his impact was more far-reaching than HK alone (you can check out this clip where you can read some of his fans heartfelt letters - they really are quite touching). Even actor Gregory Charles Rivers (the guy that played/plays just about every foreign European in every TVB drama) has his Chinese name based on Leslie’s (Ho Kwok-Wing).

No one, currently in the industry possessed so much charm, charisma, good looks, sound and talent like Leslie did. Gor gor, in my opinion had one of the BEST voices that I have every heard, not just of HK artists but overall. Leslie’s voice is not overly rich, yet masculine and clear. None of that whiny squealing or monotone stuff that a lot of other artists do these days. And zounds! Watching short clips of those who had met Leslie in person, just average Joes, no celebs, they all gave the same response. That he was handsome (no doubt) and very nice. It sounds like Leslie was quite a joy to be around, by the looks of things.

Now I’ve made a little playlist as a small tribute (and no, I didn’t get to watch the tribute concert because there was no broadcast for me – I might see if I can watch/find a link online and share) Just found the tribute here. As usual, I’m late on the ball but as always my intentions are good (heheh!). As the years have gone by, we’ve lost not only stars like Leslie, but treasures like Anita Mui, Teresa Teng, Danny Chan, Wong Ka-Kui and Roman Tam. And quite recently, we have also lost some of screen’s finest actors, like Jacqueline Law (who had cancer).

Anyway I’d like to not only draw attention to Leslie alone, so I’ve pulled a playlist out of my sleeve to pay a mini-tribute to these stars, I hope I’ve at least done a better job than the show <“Our Chinese Heart”> in making a playlist that’s more representative of the songs that most people heard and fell in love with. This playlist, I think, is a little more special not only because I’ve really taken more care in hand-picking the tracks, but because these songs were sung with the voices of superstars. In my opinion, they weren’t only the pioneers of Cantopop (and in Teresa’s case, Mandopop), they were the essence of it, as well as the “entertainment” part of the industry. Still, this playlist is not supposed to be all about tears of the bygone but of celebration and commemoration.

So let’s put the records on play and take some time to remember and appreciate some of the classics these stars really made their own. I’ll be covering the artists in pairs and updating the playlist as I go. And, as with all my playlists, please enjoy!




I know, I know, this was the first song from my playlist but I swear this is the only ‘repeat’ from all my playlists. And I just couldn’t resist – it felt strange not to include this track. It is one of my favourite songs from Gor Gor and definitely one of his signature tracks. I really do love everything about this song – from Joseph Koo’s melodic composition, Wong Jim’s brilliant lyrics, down to Leslie’s voice. Can’t fault this classic or the movie from which it came from.

Okay, so this was originally released as a Japanese single, as probably everyone knows. But it’s one of Leslie’s first upbeat pop tracks that caught the public’s attention. I’ve put in his live performance at the 1984 JSG Song Awards. You can hear all the fangirls screaming in the background whenever he sung out “Monica” and you can certainly see why! Leslie was very, very handsome and he looked really adorable with his sweet smile on stage. He really lit up the stage back then.

Again, a Momoe Yamaguchi single that got used for Leslie. I know there has been a lot of criticism regarding originality for Cantopop taking Japanese tunes and pasting lyrics over the compositions. I don’t actually have a problem with this as long as the consequences are good. In other words, as long as the composition is good in the first place, the lyrics are suitable and the singer is able to imprint their own style onto it and make it sound good at the same time. I would say that with Leslie’s voice, this was not a hard feat for him. This live performance clip from his concert is where he gets caught up with the emotion and, even with tears in his eyes, he still managed to give a rendition that was worthy of an ovation. And may his songs keep blowing on.

This was actually a little song which Leslie himself composed but had the help of legendary ‘God of Songs’ Sam Hui to pen the encouraging lyrics for him, just as he was going through a rough patch in his life. This was a collaborative effort, so I’ve chosen to put in a clip from Sam Hui’s retirement concert where Leslie and Sam sing this song together. Well, less talking from me and more listening. After all, silence is golden!

Not strictly a Leslie song since it’s been covered by quite a number of artists. You can really tell why James Wong was responsible for this and Leslie was one of those artists who could cover pretty much every track and put his own spin on it. He also had a better live singing voice than on recording, which is something quite remarkable. Listening to all this Autotune and unnecessary technology involved in recordings always makes me miss those kinds of artists even more. Veteran singer-actress Deanie Ip also pulls off a fantastic cover of this very same song, for instance. Leslie was truly ‘the pride and glory of a nation’ (a translation of his name Kwok-Wing). Whenever we look at the stars, we will remember Gor Gor along with the other brilliant stars that graced the stage.  

Yes, a Japanese ‘remake’, like several of Leslie and Anita songs but definitely a classic. This song and awed many people at the 1989 JSG Song Awards because of its beautiful melody and its heart-wrenching lyrics and, still lives on today. Speaking of the song’s beautiful melody, Priscilla Chan used this as the backing to her ‘farewell song’, “Thousands of Songs”, in te very same year. I like to think of these songs as flipsides to a mixtape or vinyl record. Same melody, different voices, but both beautiful songs. GroggyBot wrote about these two songs here, and I’m answering just three years late, but for me, Anita’s version is the one that wins hands down, as much as I’m a sucker for Priscilla’s pretty voice and felt it was a shame that she ‘left’ the industry at her peak. Or maybe I'm just biased or slightly masochistic. The main reason would have to be Anita’s ability to interpret lyrics and carve a very moving tale out of them. With this skill, she also had a powerful voice and control like no other.

Continuing the theme of sad but beautiful songs, this one always makes me watery-eyed just because of how melancholy it is. I suppose Anita’s tragic life, including her unhappy childhood and upbringing contributed to this sense of emotion and wanting to be loved. The song’s lyrics reflect this and Japanese composer Kitaro’s music carries the song through with strings sounding like falling raindrops or tears. This was one of the songs that I have translated personally but I shall leave you with a translation (that I found at this particular Cantodict thread) by a fellow Youtuber, cheunggal88, who I think not only appreciates but captures the heart-breaking beauty of it all.
"Who is controlling my destiny: This daily struggle, in a sea of humanity? My heart is saddened; Years had passed like flowing water; Yesterday just would not stay! … What remain are only memories; One after another, forever intertwined. In the vast mystic waves, My memories drift back to those yester-years. Their faces have changed, Their status too, But the passion forever remains!"  

Now I know the last two songs were sad ballads, but I haven’t forgotten that Anita was a very versatile performer. This track was chosen as a performance for the 1988 Seoul Olympics and you can tell why. It’s an upbeat, catchy and daringly sexy (yes I said it, but that is what the song is about) song with lyrics by Poon Wai-Yuen and a very 80’s electropop sound from composer and friend, Anthony Lun.

A little revision of a not so well-known 80’s Europop song, featuring Grasshopper. Now Mui Jeh took on a lot of disciples during her lifetime but, none probably got as popular as Grasshopper after she got them to be her backup dancers/singers. Though, of course, the music video originally featured her other disciple, Andy Hui. As for the song itself, it is a really ‘cool’ kind of style with stiff kind of dance moves and an icy stare. Synthesizer beats too.

A remake of Momoe Yamaguchi’s “Rock & Roll Widow” and rightly so. Okay, so I cheated on this one – this is a performance featuring Leslie. An Easter egg surprise! I know they also had the duet “Fate” but that song doesn’t showcase their dance skills and chemistry as much as this one. The pair really could work up the stage in-sync, like a special bond or contract they shared. 

Thursday, March 31, 2011

Hong Kong Cantopop Female/Male Duets Playlist: Love Songs

The days of the duets, where have they gone? I'm talking about good duets, of course - not you say something, then I say something then we all try to say something at once. Remember when Cantopop used to be filled with with a whole lot of duets - female/male, male/male, female/female, you name it. They even had a bunch of singers doing songs together, though this strictly wouldn't count as a duet. So I've been searching for female-male duets mainly and decided to come up with a playlist. I thought I should keep it to a magical number of 10, though I must stress that this isn't an exhaustive list of the Top 10 female-male Cantopop duets in history. It's just a playlist of 10 Cantopop male-female duets that I thought were worth listening to, so the order of songs don't necessarily mean I like this song better than that or whatever. It's more like a tracklist, rather than a singles chart but after all I've said I would have to say if I were to choose a female-male Cantopop duet as an all time No.1, then No.1 of the playlist would have to be it. Anyway, regardless of what I think, hope you enjoy!


Note: Playlist watchable on Youtube here and individual links for each featured video below. 

1. "You're the Best in the World" - Roman Tam & Jenny Tseng
One of the reasons why I like this number from Roman and Jenny is because this song is such an unconventional love song. Who would've known that combine an up-beat tempo and mix the "Hoo! Ha!" sounds from martial arts to make such a unique, one-of-a-kind love song? Well, I guess only Joseph Koo and James Wong could manage to pull this kind of thing off. And Jenny and Roman are simply two of the best singers that you could possibly put together. I just absolutely love how the male and female vocals go over each other so nicely, without any loss in meaning.

2. "Missing Each Other in the Wind and Rain" - Jacky Cheung & Karen Tong
This song was set to be one of those duets that were requested to be played over and over again in karaoke bars. It also won the award for "Best Duet" in the 1992 JSG awards, enshrining it's ever-popular status. This song about the longing between a couple who wish to see each other while being separated by a huge distance always leaves me with a sense of longing too - a particular empty feeling yearning for female and male duets like this one. Actually, I miss Karen Tong too.

3. "See You Again, My Friend" - Sam Tsang & Elaine Ho
1991 Miss HK contestant, Elaine Ho's pairing with singer Sam Tsang was actually quite a good combination, actually. A break-up song that lost to the above-mentioned Jacky Cheung & Karen Tong's "Missing Each Other in the Wind and Rain" in the 1992 JSG awards for "Best Duet", that actually makes use of layering the female and male vocals over each other, is what makes it very nice to listen to. The realization of not being able to save a relationship is what this whole song is all about. Kind of heartbreaking actually, but still quite prettiful as a song all the same - bittersweet, would be the word to describe it.

4. "Chance Meeting, Why Be Formerly Acquainted?" - Ram Tseung & Rita Carpio
I always find it really strange that Ji-Gwong was and is a man of many (overlooked) talents. He not only sung this song, but composed the track and wrote the lyrics for it too - and all this time, he's just been playing somewhat extra roles on TVB serials. He teamed up with Rita Carpio, who is probably most remembered for this song but was also runner-up to Anita Mui in the 1982 New Talent Singing Awards. Oh, this song took out one of the awards during the 1990 JSG Awards too - no disagreements with that.

5. "Modern Love Story" - Julian Cheung & Maple Hui
Perhaps the more memorable of Chilam's duets because I really don't remember much about the duets he did with Myolie Wu. This was the very song that propelled Chilam to stardom, was it not? Well, there you go. Looking at a recap (courtesy of llwy12) of Chilam's recent comeback concert, I would have to say that both Chilam and Maple have aged very well indeed. Maybe it's because they're very baby-faced. But that's not a bad thing.

6. "Believe in Yourself" - Alex To & Sally Yeh
A catchy pop song heavily inspired by the whole Janet Jackson Rhythm Nation movement. And by inspired, well I mean the actual composers of the song were American producers who were writing the song originally for an American artist. But you know, with these lyrics and undeniable catchiness, how can you say no to "Go Sally, go, go Sally go!" (or "Go Al!")? I for one actually enjoy how Cantopop would be influenced by the American pop and rock sounds, as well as music from other counterparts - namely Japan.

7. "The Heart is Cold" - Anthony Lun & Anita Mui
Anthony has sworn never to perform this duet again ever since Anita died - he did however, perform the song again at the 2010 JSG Awards last year singing to the 1991 JSG Awards video clip. I think Anthony must feel that no matter how many good singers come by, there will only ever be one Anita Mui. And I think he's right. Where do you find people like these two these days?  

8. "Goodbye Puppy Love" - Danny Chan & Sandy Lamb
Not to be confused with diva Sandy Lam - this little number was something that was quite popular during the day and age of Danny, I mean Elvina Kong chose it as her song to sing at the New Talent Singing Awards. Danny was one of those super-talented idols, a wonderful voice, great looks, talent to back it up (musician, singer and composer) so it was just too early to say goodbye to Danny when he never woke up from his coma.    

9. "Only Everlasting Love" - Jacky Cheung & Cally Kwong
This is just one of those great chemical reactions that suddenly explode to make something nice. Jacky's low, rich baritone voice along with Cally's ever-so-feminine singing voice makes for a classic love song. I mean, Jacky's already appeared once in this list but the thing is he's got quite a few great duets with other female artists (as pointed out by retrotvb) - like Priscilla Chan and Vivian Lai (who sadly don't really make many appearances anymore) and that would mean having to extend this list. And this would be just for Cantopop duets. Imagine if I put in his Mandarin duets too. Pretty long playlist. But yes, Jacky's a versatile performer when it comes to singing duets - especially with the ladies.  

10. "Fall in Love" - Leslie Cheung & Elisa Chan
Like I already said, many famous songs in HK pop music in the past were the   products of great Japanese compositions. However, this cover of Akiko Kobayashi's "Koi ni Ochite - Fall in Love" works really great as a duet. Elisa's solo parts are very charming indeed. Leslie was also one of those real superstars who's untimely death left a hole in the heart of many of his fans. He was definitely an all-rounder, one of those people with the whole package - a great actor, singer, an undeniably handsome performer.